Enough | Rotten Tomatoes (2025)

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What's the top 10 movies out right now in theaters? ›

Audience Score For 'The Acolyte' Disappears From Rotten Tomatoes' Main Page For The Show. The Audience Score for Star Wars' latest live-action show The Acolyte has disappeared or been removed from Rotten Tomatoes main page for the series. However, the Audience Score is still available on the show's first season page.

Violence/Scary Images: Trap is labelled as a horror film, though it is more akin to a thriller or crime drama. The story revolves around the hunt of a serial killer; the past murders are described occasionally in broad detail.

Writer-director Osgood Perkins leaves a mark on modern horror with a picture that's so disturbing that it will make you look twice the next time you're by a dark corner. All signs point to Longlegs being a true classic. Fresh score.

Citizen Kane (1941), starring and directed by Orson Welles, has topped several international polls, including five consecutive decades at number 1 in the British Film Institute's Sight and Sound decennial poll of critics. Some surveys focus on all films, while others focus on a particular genre or country.

A high rating on Rotten Tomatoes is good. The scores range from 0% to 100%, one hundred being the best and zero being the worst. If a movie's score is equal to or above 60%, the movie is considered “fresh”, while if it is below 60% it is considered “rotten”.

To date, Leave No Trace holds the site's record, with a rating of 100% and 252 positive reviews.

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Many scenes include: fighting, shooting, a gory suicide, and more. There is barely any romance and there is no drug use. This movie is okay for ages 15 & up.

Bringing to mind the Amicus horror films of old, Oddity deals out an old school horror crowd pleaser that is undeniably as scary as they come. Fresh score. With excellent thriller elements building throughout the story, Oddity emerges as one of the signature horror films of the year.

Trap is ingenious as a genre film, but it doesn't go much farther than that. It comes off as more of an exercise than one of the director's metaphysical outings. Content collapsed. The entire plot is silly and unbelievable, and each twist is increasingly absurd.

Longlegs' refusal to show us the killer in anything more than glimpses until midway through the film's runtime accomplishes a similar yet inverted effect: he's scarier when we can't see him, even though he cuts a pretty singular figure.